Rick Altman. Sound.
Sound Theory. Sound Practice.
New York / London 1992
General Introduction: Cinema as Event
- Film can not be defined as a text
- Movie is not only a product but a whole industrie / (can't be separated(?))
- lenghty process of conception-investment-production-distribution-exhibition-reception is described as a 3-D-model
- Cinema is seen as a macro-event and therefore seen with a dozen attributes:
Multiplicity
Three-Dimensionality
Materiality
Heterogeneity
Intersection
Performance
Multi-Discursivity
Instability
Mediation
Choice
Diffusion
Interchange
Altman comments on all of these attributes concerning sound.
New York / London 1992
General Introduction: Cinema as Event
- Film can not be defined as a text
- Movie is not only a product but a whole industrie / (can't be separated(?))
- lenghty process of conception-investment-production-distribution-exhibition-reception is described as a 3-D-model
- Cinema is seen as a macro-event and therefore seen with a dozen attributes:
Multiplicity
Three-Dimensionality
Materiality
Heterogeneity
Intersection
Performance
Multi-Discursivity
Instability
Mediation
Choice
Diffusion
Interchange
Altman comments on all of these attributes concerning sound.
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